From Centuries Ago to Eons to Come

Former location of Ada Kaleh island
2017, 50x40x15cm lightbox
4×5 negative developed with water from Danube river

K island, Musura Bay, Black Sea
2017, 50x40x15cm lightbox
4×5 negative developed with water from Danube river

Soluble model of Ada Kaleh
2021, 115x58x20cm
sugar cubes, glass, brick

Whirlpool, Sulina rivermouth
2017, 150x120cm
ultrachrome print on baryta paper

House in Sulina
2017, 80x100cm
ultrachrome print on baryta paper

Terracotta dynamite sticks
2021, 40x15x15cm

Iron Gates Dam museum, 2019

Movement study of Danube’s river deposit over a period of four weeks
Calafat beach (up) and Calafat harbour (down)
2020, 111x24cm, silver gelatine print

Movement study of Danube’s river deposit over a period of four weeks
Corabia (up) and Sucidava (down)
2020, 111x24cm, silver gelatine print

Mr Engur Ahmet, islander
2019, 48x60cm
ultrachrome print on baryta paper

Redrawing visitors on Simian Island
2020, 64x80cm
ultrachrome print on baryta paper,
engraved glass

Redrawing landmarks on Simian Island
2020, 64x80cm
ultrachrome print on baryta paper,
engraved glass

Reverse Archeology – dacic vase
2021, 25x20x25cm
PET 3D printed vase recovered from the Black Sea

Reverse Archeology – greek vase
2021, 35x20x20cm
PET 3D printed vase recovered from the Black Sea

Reverse Archeology – turkish vase
2021, 40x15x15cm
PET 3D printed vase recovered from the Black Sea

Abandoned hotel in Corabia, 2020

Fountain in abandoned bus station
Corabia, 2020

Iron Gates dam, 2017

Instalation view at
ElectroPutere Gallery
2021

Instalation view at
ElectroPutere Gallery
2021

Instalation view at
ElectroPutere Gallery
2021

The project thematises the concept of migration by linking two different islands located along the Danube, one that was submerged – Ada Kaleh and one that is arising – Insula K.

Ada Kaleh island dubbed by the Ottomans “the Key to Serbia, Hungary and Romania”, was first mentioned by Herodotus, inhabited by Teutonic Knights in the 15th century, and disputed by the Austro-Hungarian and Ottoman Empire over two centuries. In 1923 through the Treaty of Lausanne the island became independent and voted to join Romania. In 1970 the island was submerged during the construction of the Iron Gates hydroelectric plant. The communist regime planned to move the population of the island and most of the buildings, downstream, on Șimian Island, but the attempt failed. Almost all of the inhabitants of the Orsovostrvo, the Serbian name of the island, relocated in Dobrogea and a small part to the neighbouring towns of the island.

The work focuses on the “geophilosophical” aspects of deterritorialization and reterritorialization relations, what was once the Jewel of the Danube began to move after its immersion. The river continuously transports earth from the former island, downstream to the mouth of the Sulina branch, in Musura Bay. Here, the dark soil brought by the river, mingles with the yellowish sand of the Black Sea and form the Island K. For the moment, this small piece of land stands at the middle, between the former island Ada Kaleh and the Turkish shore of the Black Sea, and represents merely a safe place for the migratory birds to rest.

The works that make up the exhibition were made on the basis of an artistic research that documents through image, object and installation aspects of some physical and conceptual territories in permanent transition.